She was born in Algeciras (Cádiz). Begoña began her professional career in the European Ballet of London, later moving back to Madrid to join the cast of Pascal Touzeau in Ballet Madrid Dance Company and later with Juan Carlos Santamaria.
She has participated in different productions from Teatro Real (Madrid) under the direction of Robert Carsen, Philippe Giraudeau, Alessandra Panzavolta and Yoko Taira and more recently with Deustches Schauspielhaus in Hamburg with Christoph Marthaler.
She has worked the repertoire of prestigious choreographers such as Nacho Duato, Angelin Preljocaj, William Forsythe, Jiri Kylian, and Wim Vandekeybus.
Currently working as a freelance in different companies both nationally and internationally:
-Muriel Romero & Pablo Palacio dance company, which investigates the development of new technologies and choreographic techniques: “Stocos”,”Phantom Limb “.
-Unterwegs Theater Heidelberg, Germany, under the direction and choreography by Jai Gonzales.
-The company “La Pharmaco”, choreographed by Luz Arcas with whom she has released her latest work “La voz de nunca”, inspired by Waiting for Godot by Samuel Beckett.
-Elephant in the Black Box Company directed and choreographed by Jean Philippe Dury which also features repertoire of Nacho Duato. Company where she combines her work as a dancer with assistant choreographer: “Cel Black Days”, “Memoires Oubliees” and “Remanso”.
As a choreographer she created in 2012 together with Mar Rodríguez the piece fETCH, awarded in the XXVI Choreography Contest of Madrid (2012) with two choreographic residencies (La Gomera, Larumbe Danza); finalist in the second edition of Sabadell Choreography Competition (2013) and Jury Prize to Best Choreography at 18MASDANZA International Contemporary Dance Festival of the Canary Islands (2013). They also received within 18MASDANZA, the Sortutakoak residence that takes place at Dantzagunea (Guipuzcoa, Basque Country).